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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.,

“Jerry, Jerry, old scout! I’m sorry as I can be. Forgive me for not having faith in you. I wanted to all the time!”,

“I am not a specimen. I am Johnny Blossom.”,

“Thank you, Aunt Grenertsen.”

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When they entered the town, they saw that it was full of men and women, and that they all wore clothes made of peacocks' feathers, and that these were evidently considered fine things, for every place was covered with them. They met the King, who was driving in a beautiful little carriage of gold, studded with diamonds, and drawn by twelve peacocks at full gallop. This King of the Peacocks was so handsome, that the King and the Prince were delighted; he had long, light, curly hair, fair complexion, and wore a crown of peacocks' feathers. Directly he saw them, he guessed, seeing that they wore a different costume to the people of the country, that they were strangers, and wishing to ascertain if this was so, he ordered his carriage to stop, and sent for them.,

She arose, and renewed her search for an outlet. The light, imperfect as it was, now assisted her, and she found a door, which she perceived was not the one by which she had entered. It was firmly fastened; she discovered, however, the bolts and the lock that held it, and at length unclosed the door. It opened upon a dark passage, which she entered.,

It now appeared that the marquis was poisoned by the vengeance of the woman to whom he had resigned his conscience. The consternation and distress of Ferdinand cannot easily be conceived: he hastened back to his father's chamber, but determined to conceal the dreadful catastrophe of Maria de Vellorno. This precaution, however, was useless; for the servants, in the consternation of terror, had revealed it, and the marquis had fainted.,

At these words every nerve of Ferdinand thrilled; he let go the marquis's hand and started back. 'Look not so fiercely on me,' said the marquis, in a hollow voice; 'your eyes strike death to my soul; my conscience needs not this additional pang.'—'My mother!' exclaimed Ferdinand—'my mother! Speak, tell me.'—'I have no breath,' said the marquis. 'Oh!—Take these keys—the south tower—the trapdoor.—'Tis possible—Oh!—'